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okay

hello everyone.

im sorry i havent been writing much recently.

its not because ive been too busy to do so, its just because i didnt feel like it.

anyways, im doin all right; hows everyone out there doin?

i got a hair cut, and i feel great. i cut it so much, i have no hair.

well, it isnt hard to predict that the summer is gonna be pretty damn hot here in tokyo, so lets not let that heat get us down. shaving my head was my way of preparing for the deadly-hot summer to come.

you should do something too.

oh yeah,

LETS not forget, that the World Cup is about to happen in about 3weeks!

i can hardly wait. lets all enjoy.

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Asahi Shinbun (December 20th, 2005)

Now, here is an incredible film. The artistic world expressed in this soul-shaking film has gone way beyond the realm of Japanese film.Based on the Akutagawa award-winning novel by Mangetsu Hanamura, the film is directed by newcomer Tatsushi Omori. The film is staged in a rural, snowy monastery, but the location remains anonymous throughout the film. It would be meaningless to try to explain the film, for nothing in the film is ever explanatory. The only thing one can do is just observe the human relationships shown-- gorged with violence and abnormal sex. One thing is for sure; This rookie director surely is no average rookie.
In the confines of the monastery is a ranch, a chicken farm, and a school. A young man who works there(Hirofumi Arai) is the main character, and his mysterious, instinct-driven words and deeds draw the lines of this film. His sexual service towards the head priest(Renji Ishibashi), his violent and sexual feud with his colleagues, his seduction towards a nun(Leona Hirota), his sexual acts with a young novice (Megumi Sawara), and his confession of murder to a priest(Kei Sato) all are extremely intense, but are expressed in a straight-forward manner.
In midst of the chaotic mixture of depravity and holiness, is a wandering soul of a young man. He wanders through issues such as sin, punishment, god, the act of defying god, and salvation, as he listens to the whisperings of the gods through his Germanic radio. The cleanliness that exists throughout the film -- despite the abundance of sex and violence -- is surely noteworthy. Arai does an excellent job in expressing this cleanliness, as he brilliantly acts out the suffering of an innocent soul. The film begins in snowy winter, and ends in spring -- informing all of new life -- suggesting this purity and cleanliness.
The film will open at a theater built especially for this film, placed in the Tokyo National Museum. The executive producer of the film is Genjiro Arato, the man who once screened "Zigeunerweisen" in a tent, declaring "direct delivery" as his slogan.

Sadao Yamane

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hey everyone

well, ive written a few entries, and have gotten little feedback from

all you readers out there.

i sometimes feel like im talkin to myself. ha.

but i know the truth is, you are all too shy to make comments.

ha.

its okay, you can make fun of me if youd  like; you can call me names and criticize me for being the geek that i am.

its all good. we are all free to say what we want.

so please, dont be shy, come out and express your feelings. and then we can all interact.

dont let the rain get you down, because its gonna rain all week.

bye

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taro

hello

bad weather today.

yesterday i had a day off, so i went to the Taro Okamoto Museum of Art.

ive never really known his work until yesterday, but it was incredible.

really powerful stuff.

it was amazing that his work, some which were painted in the 50's, looked so new, and modern.

it was fantastic; you should check it out.

http://www.taromuseum.jp/english/index_english.htm

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Mainichi Shinbun (January 6th, 2006)

Outrageous. This film defies all conventional emotions, morals, and virtues. The audience will find themselves thrown-off rather than understood, and feel chaos instead of feeling sympathy.

The film is based on Mangetsu Hanamura's novel. Rou(Hirofumi Arai), who has committed murder is back for hiding in the rural, snowy monastery he grew up in. Rou is lost in the definition of sin, and shows no remorse for his crimes. Without resistance, he serves to satisfy the head priest's (Renji Ishibashi) sexual desires, has sex with a young girl Kyoko (Megumi Sawara), and rapes a nun (Leona Hirota).  Surrounding Rou is an abundance of violence, distorted sex, and death, but there is no standard as to what is normal in the closed confines of the monastery. The holiness of the priest listening to Rou's confession, and the brutality of amputating a mating pig's penis, are both lined up and equalized. The snow-covered expressionless scenery, and Arai's rigid but transparent existence break common atmosphere. All that stands is Rou, who hears voices of gods through his rad, and sniffs other peoples toes.

  This is not a pleasant film. Most would more likely feel discomfort at first. However, what is shown here is the true nature of humans that many try not to look at. The film affirms humans, without the quick fix of catharsis and humanism. The film will test your sensitivity - whether you can face the extraordinary power, or not. The film will open at the Ikkaku, a theater built especially for this film, placed in the TokyoNational Museum.

It will run for at least 6months. In both content and presentation, this film acutely provokes the Japanese film industry. Director Tatsushi Omori's debut film. 1hour47minutes.                    

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Copyright© Arato Film 2006 All Rights Reserved

                                                                                                                                                                                                                                                                        

the world

hey

the world is a large place. many people, many cultures,

many different ways to live life.

ive got to see the world as much as i can, while im still alive.

staying here forever is like not using a free pass for a cool show.

gotta walk around.

and

if i come to the conclusion that this is the place for me, so be it.

see you later

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oh

hello.

rainy day today. and its pretty cold again.

me, im doin fine. hows everyone, hows life?

i learned of an interesting story of a young girl named autumn ashante. well, shes got some strong things to say for a 7 year-old, but man, shes got some vocab and rhymes.

i remember when i was seven, runnin around and makin prank calls. i guess some are more mature than others. ha.

see you later.

remember, everybody is free to comment on any topic. just click on that thing at the bottom.yeah.

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Copyright© Arato Film 2006 All Rights Reserved

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